Natural minor with a raised 7th, so the V chord becomes major and pulls strongly home. The gap between b6 and 7 gives it its distinctive colour.
| Notes | F, G, Ab, Bb, C, Db, E |
|---|---|
| Steps | 2 – 1 – 2 – 2 – 1 – 3 – 1 (semitones) |
Root notes are red. The full map of the scale on the guitar neck; the common box patterns are groups of these notes.
The same scale on a ukulele in standard G–C–E–A tuning.
| Degree | Triad | 7th chord |
|---|---|---|
| i | Fm | Fm(maj7) |
| ii° | Gdim | Gm7♭5 |
| ♭III+ | A♭aug | A♭maj7♯5 |
| iv | B♭m | B♭m7 |
| V | C | C7 |
| ♭VI | D♭ | D♭maj7 |
| vii° | Edim | Edim7 |
These are the chords built by stacking scale notes in thirds. Click through for each chord's own diagrams:
See the diatonic chords with audio in the Scale & Chord Finder, find where a key sits among the others on the Circle of Fifths, or start the free Cloud Atelier music guides.