Natural minor with a raised 7th, so the V chord becomes major and pulls strongly home. The gap between b6 and 7 gives it its distinctive colour.
| Notes | C#, D#, E, F#, G#, A, B# |
|---|---|
| Steps | 2 – 1 – 2 – 2 – 1 – 3 – 1 (semitones) |
Root notes are red. The full map of the scale on the guitar neck; the common box patterns are groups of these notes.
The same scale on a ukulele in standard G–C–E–A tuning.
| Degree | Triad | 7th chord |
|---|---|---|
| i | C♯m | C♯m(maj7) |
| ii° | D♯dim | D♯m7♭5 |
| ♭III+ | Eaug | Emaj7♯5 |
| iv | F♯m | F♯m7 |
| V | G♯ | G♯7 |
| ♭VI | A | Amaj7 |
| vii° | B♯dim | B♯dim7 |
These are the chords built by stacking scale notes in thirds. Click through for each chord's own diagrams:
See the diatonic chords with audio in the Scale & Chord Finder, find where a key sits among the others on the Circle of Fifths, or start the free Cloud Atelier music guides.